Translucent Blue Chalcedony Briolettes, Matching Pair, Handcut in USA, From South Africa, 14.0x6.0x6.0mm Each, 5.45ct Total Weight/Pair
5.45ct Total Weight Matching Pair, not drilled, tops prepared to epoxy-glue on caps.
South African Blue Chalcedony: "Chalcedony has a waxy luster, and may be semitransparent or translucent. It can assume a wide range of colors, but those most commonly seen are white to gray, grayish-blue or a shade of brown ranging from pale to nearly black.
The name chalcedony comes from the Latin chalcedonius. The name appears first in Pliny the Elder's Naturalis Historia as a term for a translucent kind of Jasper. The name is probably derived from the town Chalcedon in Asia Minor. Mohs hardness 6-7." (Wikipedia)
Priced below wholesale.
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Shipping & policies
Worldwide delivery (see exceptions below) is available by U.S. Postal Service. Items shipped in the USA delivered by Domestic Priority Mail. International orders delivered by First Class International Mail. Upgrades available on request. All items include full insurance and tracking and will require an adult signature for delivery (USA).
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Shipping Exceptions; At this time I do not ship to the following countries: Afghanistan; Algeria; Angola (Cabinda); Belarus; Bosnia and Herzegovina; Burma (Myanmar);Cote d'Ivoire (Ivory Coast); Croatia; Cuba; Democratic Republic of the Congo; Greece; Iran; Iraq; Jordan; Liberia; Libya, Moldova; Montenegro; Nigeria; North Korea; Paraguay; Republic of the Congo (Zaire); Serbia; Sierra Leone; Somalia; Sri Lanka; Sudan; Syria; Togo; Yemen; Zimbabwe
Insurance is not available for packages being shipped to: Afghanistan; Algeria; Angola (Cabinda); Belarus; Bosnia and Herzegovina; Burma (Myanmar); Cote d'Ivoire (Ivory Coast); Croatia; Cuba; Democratic Republic of the Congo; Greece; Iran; Iraq; Jordan; Liberia; Libya, Moldova; Montenegro; Nigeria; North Korea; Paraguay; Republic of the Congo (Zaire); Serbia; Sierra Leone; Somalia; Sri Lanka; Sudan; Syria; Togo; Yemen; Zimbabwe.
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Returns & exchanges
I want you to be happy and provide a seven (7) day money back guarantee. If you wish to make a return for any reason, I will provide you with an exchange or refund, whichever you prefer.
My jewelry is guaranteed to be of the highest quality and craftsmanship, as described, or your money back. My pieces are warranted for one full year from date of purchase for any defects in materials or workmanship. The item may be returned for repair or replacement at no cost to you. Any modification or alteration will void this warranty.
You must return within seven (7) days of your receipt of the item. Items must be returned in original, unworn condition with all original paperwork and no damage or alteration. Jewelry that has been modified or altered in any way cannot be returned. The original shipping cost is not refundable.
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I specialize in creating original contemporary art jewelry using labor-intensive classical techniques. I combine original cloisonné enamels with precious metals and precious and semi-precious gemstones, using hand fabrication, bezel setting, 22 karat gold granulation, 18 karat and 14 karat gold, and sterling silver.
In my granulated jewelry I draw on the tradition of the Etruscans and ancient Greeks. Hundreds of tiny balls of 22 karat gold, as small as .016 inches, are arranged one-by-one into intricate patterns. The granules are fused without the use of solder to a base of 22 karat gold. One moment too long in the intense heat of the torch and the entire piece melts. One moment too little and the granules feel to fuse to the base. Consummate skill and experience are required to gauge the exact moment; hours of painstaking work hang in the balance with each piece that it is created.
The effects possible with the technique of cloisonné enameling are particularly appealing. Luminous multicolored depths of the cloisonné beautifully enhance the rich effects possible with granulation in 22 karat gold, and I combined the two whenever I can.
Cloisonné is a French term which refers to cells of colored enamels separated by thin strips of metal. Each cloisonné painting is started by bending thin ribbons of pure gold and arranging them on edge to create the linear elements of the design. I use my original drawings as diagrams. The resulting cells are wet packed with grains of enamel using a tiny paintbrush. The pieces dried and then fired in a preheated kiln at 1200–1500°F. Up to 20 firings can be required to refine and develop the many layers of enamel colors. The enameled piece is then ground and polished like a fine gemstone. It is framed in a custom-made setting, using hand-fabrication, hand-forging, lost wax casting and other techniques, often enhanced by precious or semi-precious gemstones.
I am a lifelong artist. I studied fine art at Yale and have an extensive professional background in visual design. I studied 22 karat gold granulation, cloisonné enamel, and a number of other techniques under the direction of some of the best master goldsmiths and enamelists in the country. My work has been featured in numerous juried exhibitions, the best galleries nationwide, public and private collections, and won awards for many years. Each piece is designed to be worn and give enjoyment for years.